Right Now, Wrong Then

Hong Sang-soo perfects his formula with the great Right Now, Wrong Then.

2941d ago

The South Korean director Hong Sang-soo doubles the emotional stakes of this cinema-centric romance by doubling the drama itself.

2941d ago

The South Korean director Hong Sang-soo doubles the emotional stakes of this cinema-centric romance by doubling the drama itself.

2941d ago

Korean auteur Hong Sang-soo's latest stars Jung Jae-young and Kim Minhee as a film director and aspiring painter who meet and spend the same day together, twice.

2941d ago

Korean auteur Hong Sang-soo's latest stars Jung Jae-young and Kim Minhee as a film director and aspiring painter who meet and spend the same day together, twice.

2941d ago

The South Korean director Hong Sang-soo doubles the emotional stakes of this cinema-centric romance by doubling the drama itself.

2941d ago

Korean auteur Hong Sang-soo's latest stars Jung Jae-young and Kim Minhee as a film director and aspiring painter who meet and spend the same day together, twice.

2941d ago

Korean auteur Hong Sang-soo's latest stars Jung Jae-young and Kim Minhee as a film director and aspiring painter who meet and spend the same day together, twice.

2941d ago

The South Korean director Hong Sang-soo doubles the emotional stakes of this cinema-centric romance by doubling the drama itself.

2941d ago

Spotting and processing the countless differences between the film's two parts offers pleasures on various levels.

2941d ago

Spotting and processing the countless differences between the film's two parts offers pleasures on various levels.

2941d ago

Spotting and processing the countless differences between the film's two parts offers pleasures on various levels.

2941d ago

Spotting and processing the countless differences between the film's two parts offers pleasures on various levels.

2941d ago

But if hindsight is 20/20, the final effect of a work this knotty is far and away the most significant to even speak of. In building a mystery, comedy, romance, occasional melodrama, and even a study of the artist’s foolishness that defies expectations well after we’re familiar with its brilliant conceit, Hong has yet again proven the vitality of his voice. At this point, it seems unlikely he’ll ever make a bad film.

2941d ago

But if hindsight is 20/20, the final effect of a work this knotty is far and away the most significant to even speak of. In building a mystery, comedy, romance, occasional melodrama, and even a study of the artist’s foolishness that defies expectations well after we’re familiar with its brilliant conceit, Hong has yet again proven the vitality of his voice. At this point, it seems unlikely he’ll ever make a bad film.

2941d ago

But if hindsight is 20/20, the final effect of a work this knotty is far and away the most significant to even speak of. In building a mystery, comedy, romance, occasional melodrama, and even a study of the artist’s foolishness that defies expectations well after we’re familiar with its brilliant conceit, Hong has yet again proven the vitality of his voice. At this point, it seems unlikely he’ll ever make a bad film.

2941d ago

But if hindsight is 20/20, the final effect of a work this knotty is far and away the most significant to even speak of. In building a mystery, comedy, romance, occasional melodrama, and even a study of the artist’s foolishness that defies expectations well after we’re familiar with its brilliant conceit, Hong has yet again proven the vitality of his voice. At this point, it seems unlikely he’ll ever make a bad film.

2941d ago

Contemplating both tales in succession can induce a far from unpleasant sense of vertigo, a feeling of standing at the edge of an abyss of wide-open philosophical questions and deep psychological mysteries.

2941d ago

Korean director Hong Sang-soo gives us two variations on one love story – both as elegant as they are emotional.

2941d ago

Contemplating both tales in succession can induce a far from unpleasant sense of vertigo, a feeling of standing at the edge of an abyss of wide-open philosophical questions and deep psychological mysteries.

2941d ago

Korean director Hong Sang-soo gives us two variations on one love story – both as elegant as they are emotional.

2941d ago

Korean director Hong Sang-soo gives us two variations on one love story – both as elegant as they are emotional.

2941d ago

Contemplating both tales in succession can induce a far from unpleasant sense of vertigo, a feeling of standing at the edge of an abyss of wide-open philosophical questions and deep psychological mysteries.

2941d ago

Korean director Hong Sang-soo gives us two variations on one love story – both as elegant as they are emotional.

2941d ago

Contemplating both tales in succession can induce a far from unpleasant sense of vertigo, a feeling of standing at the edge of an abyss of wide-open philosophical questions and deep psychological mysteries.

2941d ago

Judging from “Right Now, Wrong Then,” Hong’s approach also is heavy on conversations conducted during long languid takes while bereft of any pulse-pounding cataclysmic events.

2941d ago

Judging from “Right Now, Wrong Then,” Hong’s approach also is heavy on conversations conducted during long languid takes while bereft of any pulse-pounding cataclysmic events.

2941d ago

Judging from “Right Now, Wrong Then,” Hong’s approach also is heavy on conversations conducted during long languid takes while bereft of any pulse-pounding cataclysmic events.

2941d ago

Judging from “Right Now, Wrong Then,” Hong’s approach also is heavy on conversations conducted during long languid takes while bereft of any pulse-pounding cataclysmic events.

2941d ago

Hong Sang-soo's latest self-reflexive feature is a twice-told romance that will delight his loyal followers.

2941d ago

Hong Sang-soo's latest self-reflexive feature is a twice-told romance that will delight his loyal followers.

2941d ago

Hong Sang-soo's latest self-reflexive feature is a twice-told romance that will delight his loyal followers.

2941d ago

Hong Sang-soo's latest self-reflexive feature is a twice-told romance that will delight his loyal followers.

2941d ago

Hong Sang-soo's Right Now, Wrong Then is an exercise in formalistic mumblecore that mostly exists for its own sake.

2941d ago

Hong Sang-soo's Right Now, Wrong Then is an exercise in formalistic mumblecore that mostly exists for its own sake.

2941d ago

Hong Sang-soo's Right Now, Wrong Then is an exercise in formalistic mumblecore that mostly exists for its own sake.

2941d ago

Hong Sang-soo's Right Now, Wrong Then is an exercise in formalistic mumblecore that mostly exists for its own sake.

2941d ago