Jackie

After watching the film, I developed a newfound appreciation for the woman who kept herself together for the good of America, when everything was falling apart.

Natalie Portman plays the widowed Jacqueline Kennedy in the stunned aftermath of her husband's assassination in Pablo Larrain's first English-language feature.

Chilean helmer Pablo Larraín makes an extraordinary English-lingo debut with this daring, many-leveled portrait of history's favorite First Lady.

Perhaps it’s simply that “Jackie” is a biopic that is actually interested in its subject, and not just in what happened to her.

In his presence — and with just about every other man who dares to challenge her, including her brother-in-law Bobby (Peter Sarsgaard) — she’s nothing less than formidable, an i...

The film takes Jackie’s cunning and dissimulations as much for granted as it does her elegance and love of couture.

Natalie Portman reveals the artifice and the agony of Jackie in an arresting biopic.

Amid the infamy and tragedy of having a famous husband, Jacqueline Kennedy gives her most revealing confession in Jackie to a priest: “I never wanted fame. I just became a Kenne...

Expressionist take on Jacqueline Kennedy in the aftermath of JFK's murder is fueled by an amazing, go-for-broke performance.

White’s essay would later become famous for a particular passage wherein Jackie describes JFK’s presidency as an idealist “Camelot,” with the Kennedys as a sort of American pseu...

Jackie is Natalie Portman's show, and she never wastes an opportunity to dazzle as JFK's glamorous grieving widow.

Director Pablo Larrain’s impressionistic portrait of JFK’s widow mixes familiar images and intrusive moments that don’t quite add up.

There are two movies in "Jackie," Pablo Larraín's film about Jackie Kennedy (Natalie Portman) immediately before, during and after the assassination of her husband, President Jo...

Natalie Portman stars as Jacqueline Kennedy in the period during and after her husband’s assassination.

Chilean director Pablo Larraín (The Club, No) is a passionately political filmmaker, unafraid to tangle with explosive issues in his home country and unsparing in his placement ...

Pablo Larraín's film bluntly hammers home the notion that history is framed by perception rather than reality.

Clipped, controlled and composed, Jackie Kennedy was a woman of her times, but since composure doesn’t win you Oscar nominations, Natalie Portman opts to play the part with a so...

I happen to find the result intrusive, presumptuous, and often absurd, but, for anyone who thinks that all formality is a front, and that the only point of a façade is that it s...