Bridget Jones's Baby Cinema Release Date

Bridget Jones mines the riches of embarrassment. Her gaffes, blunders, stumbles, and pratfalls provide the laughs in the atypical rom-coms built around her, films that rely heav...

Suffice it to say that Bridget has once again found herself under her own personal raincloud and is ready for a new chapter in her life/love triangle.

The third in the Bridget Jones franchise opens in a familiar fashion: Bridget is alone, an overflowing glass of white wine in clenched fist as she sadly sways on her sofa to the...

Not only is there an important birth in Bridget Jones’s Baby but the new film also marks a rebirth for Renee Zellweger.

Bridget Jones was and is the original “Sex and the City” girl. And it is good to see her again.

Sequel introduces a new addition with a mystery dad.

'Bridget Jones's Baby': Renee Zellweger's hot-mess Brit gets knocked up.

The whole endeavor is so relentlessly lovable, like Bridget herself, that I defy anyone to not enjoy themselves.

Bridget Jones is a goddess. At least she was in 2001, when Texas-born Renée Zellweger introduced author Helen Fielding's weight-obsessed, love-starved, accident-prone British si...

Fans should have no problem accepting ‘Baby’ into their hearts, just like they did with the first film and, unfortunately, maybe even the second one too.

Bridget Jones’s Baby doesn’t deliver.

In spite of its slightly excessive runtime and a handful of millennial-pandering beats, Bridget Jones’s Baby is brought to term by the buckets of undeniable charm and charisma p...

Renee Zellweger returns to her Oscar-nominated role without missing a beat, finally redeeming the character after her lacklustre sophomore appearance.

It’s been a rocky road into middle age for the shambolic, cripplingly body-conscious and serially unattached Bridget Jones.

“Bridget Jones’s Baby” is not a comedy for the ages, but it’s interesting to see a rom-com starring a middle-aged woman grappling with irrelevance in the workplace.

Broad gags, choice turns and some terrific slapstick involving a hospital revolving door elevate a possibly opportunistic outing into a solid and satisfying comeback.

Even considering its optimistic, open-ended conclusion, Bridget Jones’s Baby feels like an affectionate, slightly overdue goodbye to characters whose time has inevitably passed.

Renee Zellweger reprises her signature role as a single woman, this time facing the challenges of motherhood, unsure if Colin Firth or Patrick Dempsey is the father.

Despite an abundance of mostly tepid jokes that keeps the comedic tone at a quiet simmer, Bridget Jones’s Baby doesn’t jell. Ms. Zellweger floats through the picture, charming b...

Renée Zellweger returns as the titular diarist, trying to identify her baby daddy.

Sharon Maguire's Bridget Jones’s Baby is less a film than it is a series of needle-drops.